Body and Soul Coleman Hawkins
Just because he dropped the reference version, doesn't mean the Hawk would leave the tune alone. Rather he deviled and re-deviled it. we're pretty sure his primary point is that he can do it again and not be the same. The desperate exchange of body for soul, the Faustian heartbreak in the song, is easy to lose when this is the approach. Therefore, it is interesting how he brings the heartbreak back into all three versions. Lissen for it.
- Coleman Hawkins with Billy Byers and His Orchestra, "Body and Soul." We're not sure Hawk gentles himself into this smoothjazz ensemble, but then maybe that's the point. By the end, its his voice alone, not even against the orchestra.
- Coleman Hawkins, "Picasso." Here all w/ both accompaniment and melody dropped, Hawk takes on blues and the abstract truth. We believe this bullet ranks w/ Armstrong/Hines "Weather Bird" as an intellectual exercise, even if it lacks the zing the two duelists put into their piece. It is, of course, about the breakdown that occurs when you are alone. That's the point. It's after the tragic ending of the reference version, "an echo of a tale that's been told."